In this list are Silent Films which were re-released, due to initial success or later appriciation, as sound films. The list will name only the films that had theatrical release at least in one country.
What can't you find in this list?Films that were filmed simultaniusly as both Sound Films and Silents, adaptations not released Theatricaly, Silent films made in their original release with Synchronized music, films that had a considerable amount of non-original footage added or re-shot.
Name | Release date | Original name | Original release date | Notes |
---|---|---|---|---|
The King of Kings | June / July 1928 | The king of Kings | 19/04/1927 | Featured synchronized music by Hugo Riesenfeld |
Quo Vadis? | 1929 | Quo Vadis? | 15/02/1925 | - |
The Hunchback of Notre Dame | 1929 | The Hunchback of Notre Dame | 02/09/1923 | Music by Sam Perry |
Metropolis | 14/06/1929 | Metropolis | 10/01/1927 | Adaptation of the German film was made in France, apparently by sound engeineer André Charlin. It had synchronized music and Machine noises. |
Panzerkreuzer Potemkin | 12/08/1930 | Броненосец Потёмкин | 29/04/1926 | Adaptation of the Russian film was made in Germany by Phil Jutzi. It had synchronized music by Edmud Meisel, as well as sound effects and spoken dialogs. |
Die kleine Schraube | 12/08/1930 | Винтик-Шпинтик | 1927 | This sound adaptation, made in Germany, was to accompany the premiere of the sound adaptation of "Battelship Potemkin". It inncluded music and a song (Also lyrics?) by Edmund Meisel. |
Two Fisted Jefferson | 01/09/1930 | Two Fisted Jefferson | 14/01/1922 | Featured synchronized music and sound effects. |
Die zwölfte Stunde. Eine Nacht des Grauens | 1930 | Nosferatu. Eine Symphonie des Grauens | 15/03/1922 | Clasification: 14/11/1930. Two adaptation were made by Waldemar Ronger. Both had synchronized music by Georg Fiebiger, but only one of the two also had spoken dialog. Had one additional newly shot scene. |
The Birth of a Nation | 18/12/1930 | The Birth of a Nation | 08/02/1915 | Featured synchronized music and sound effects. Was added with a newly filmed introduction by D. W. Griffith. |
Cabiria | 1931 | Cabiria | 18/04/1914 | - |
Way down East | 13/03/1931 | Way down East | 03/09/1920 | - |
Ben-Hur | 01/12/1931 | Ben-Hur | 30/12/1925 | Synchronized music and sound effects |
Siegfrieds Tod | 06/01/1933 | Die Nibelungen, I. Teil: Siegfried | 14/02/1924 | Adaptation was made by Dr. Franz B. Biermann. It had synchronized music by Gottfried Huppertz (in most parts), and a spoken introduction. |
Der Kampf ums Matterhorn | 1934 | Der Kampf ums Matterhorn | 27/11/1928 | - |
Die weiße Hölle vom Piz Palü | 23/12/1935 | Die weiße Hölle vom Piz Palü | 11/10/1929 | Music by Giuseppe Becce |
Tillie’s Punctured Romance | 1938 | Tillie’s Punctured Romance | 14/11/1914 | Music by Edward Kilenyi |
The Sheik | 06/1938 | The Sheik | 30/10/1921 | With music by James C. Bradfordand, as well as sound effects |
Tumbleweeds | 1939 | Tumbleweeds | 20/12/1925 | Included an 8-minute introduction by the film's leading actor William S. Hart. Music by James C. Bradford, conducted by Artur Guttmann |
The Gold rush | 18/04/1942 | The Gold rush | 26/06/1925 | Music by Charles Chaplin, part original part compilation. Contains spoken narration by Chaplin throughout the film. |
The Eagle | 1949 | The Eagle | 08/11/1925 | Music by Michael Hoffman |
The Circus | 03/05/1969 | The Circus | 06/01/1928 | Music by Charles Chaplin. Contains a song by Chaplin, who also sings it, at the beginning of the film. |
Metropolis | 05/08/1984 | Metropolis | 10/01/1927 | Synchronized Music and songs by Giorgio Moroder. Was added with some visual effects, and sequences of still-photographs. |
Metropolis | 12/07/2002 | Metropolis | 10/01/1927 | Was synchronized with Gottfried Huppertz' original music. |
Metropolis | 07/05/2010 | Metropolis | 10/01/1927 | Was synchronized with Gottfried Huppertz' original music as recorded live during premiere screening of the newly restored version on 12/02/2010. |